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Mythologies of the Prophet Muhammad in Early Modern English Culture
Unfortunately, you will be liable for any costs incurred in return to sender parcels if the information you provided was inaccurate. Buy securely. Book of the Month. Authors Tim Winton Sarah J. Top Pick. The figure of 'Mahomet' was widely known in early modern England. A grotesque version of the Prophet Muhammad, Mahomet was a product of vilification, caricature and misinformation placed at the centre of Christian conceptions of Islam.
In Mythologies of the Prophet Muhammad in Early Modern English Culture Matthew Dimmock draws on an eclectic range of early modern sources - literary, historical, visual - to explore the nature and use of Mahomet in a period bounded by the beginnings of print and the early Enlightenment.
(ebook) Mythologies of the Prophet Muhammad in Early Modern English Culture
This fabricated figure and his spurious biography were endlessly recycled, but also challenged and vindicated, and the tales the English told about him offer new perspectives on their sense of the world - its geographies and religions, near and far - and their place within it. This book explores the role played by Mahomet in the making of Englishness, and reflects on what this might reveal about England's present circumstances.
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Please note that prices may vary between www. Sorry, an error occurred while checking availability. Please try again later. Failed to submit review, please try again later. The number and extraordinary range of historical documents Dimmock consults in Mythologies is particularly notable. This makes for a study that is encyclopedic in scope even as it is thoughtful and detailed.
Studies of a representation tend to focus on retellings and reimaginings, on how realities are discursively constructed and therefore consequently changing. In this case, a multiplicity of Mahomets came into being in early modern England. The "terrain" of early modern English views of the prophet, Dimmock writes, is "scarred by vilification, caricature and misinformation" xi-xii. It is unclear from Dimmock's book whether there is an accepted truth, or at least a standard account of the life of the prophet, against which these English instances of "misinformation" can be labelled as such.
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Of course, such an account is not necessary; the premise of the study could be the postmodernist one of the constructed nature of reality. Nevertheless, a brief outline of the traditional accounts of the prophet as presented in the Qur'an and Hadith would have been useful to the less-informed reader. However, the book most helpfully demonstrates that what is significant is not the representation or the reconstmction as such but the polemical uses of such representation.
The first chapter discusses the surprising number of biographies of the prophet that emerged in the new era of print. Significantly, these accounts of the life of Mahomet structured readers' attitude to Islam. Somewhat unexpected inclusions in the texts scrutinized here are Lydgate's Fall of Princes and Caxton's edition of The Golden Legend, among others. In all of these works Mahomet is presented as lacking the divinity of Christ and hence as false and fraudulent.
He is also associated with necromancy and idol worship. The chapter is a strong instance of scholarship in intertextuality and citationality. Eschewing an "epochal" framework, Dimmock points out that many of these representations are legacies of commentaries written in the Middle Ages. To evoke Raymond Williams' terms, the representational lives of Mahomet show how the "residual" medieval forms exist in dynamic relationship with the ones "emergent" in the new print culture.
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