How Come You Do Me Like You Do (Fats Wallers Conception)

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Her name was Edith Hatchett and at the time he had taken her home to meet his mother and as she was a ] quiet gentle church-going girl, Adeline had approved of her and invited her often to the house. They had rather lost touch after 1 Adeline died but now Fats looked her up again and a few weeks later they were married and went to live with Edith's family. Fats soon began playing at 'parlour socials'. These were parties held in private houses, for which a small admission fee was I charged to cover the music and dancing.

Food and drink were sold at modest prices. Many great pianists began their playing life at I these socials. He also began making piano rolls which at that ; time was a very lucrative business. Soon he was playingat parlour socials most nights and doubling at the Lincoln and the Leroy. His prodigious piano playing was only matched by his capacity for drink and already Edith was becoming uneasy and although young Thomas Waller Junior was born : in that summer, , things did not improve.

In Fats made his first record. I He had been writing and composing for some time now. He wrote very quickly, practically playing the pieces straight on to the : piano, but up to now none had been published. He was greatly helped in this new activity by Clarence Williams, a publisher and pianist, and over the five years they worked I together Clarence accepted over seventy songs from Fats, although many of these were never published.

But Edith was unhappy about his continual absences from home at the clubs and and all-night parties he enjoyed so i much. Eventually their marriage brokeup with Edith keeping young Thomas and moving out. Fatsagreed to pay a settlement for the r keep of Edith and young Tom but for the rest of his life he was harrassed by this, eventually going to prison for non-payment of it. But his life in music progressed smoothly. He formed a very fruitful song-writing partnership with Andy Razaf who wrote lyrics to Fats' music and used to sing the songs to demonstrate them to publishers while Fats played, until one day when Andy urged Fats , to sing instead.

The result was so encouraging that from then on Fats sang as well as playing piano. His partnership with Andy was i carefree. They thought nothing of selling a song to one publisher and then taking a cab down the street and selling a variation of it to 1 another publisher. They would sell the complete rights in a song for a very small amount when they needed money quickly. Fats also collaborated with J.

Fats Waller piano sheet music

Johnson, Edgar Dowell and Spencer Williams and there are about five hundred published Fats Waller numbers as well as much written by him but not published under his name. But while Fats was enjoyinghimself hurrying from publisher to publisher and playingand singing until the small hours, Edith's patience was becoming exhausted and finally she served an order on Fats to appear in court. He was very upset about this and refused to give in - he felt that he was working hard for hours every day making money only to have to pay much of it over to Edith since according to the settlement, the more he earned the more he had to pay.

Luckily this time he got off lightly as his friends all gathered round to help him pay off what he owed.

Rose of the Rio Grande (''Fats'' Waller's Conception)

But Fats was not meant to be alone for long, he always had a bevy of pretty glamorous girls round him, and soon he met Anita Rutherford. She was sixteen then and soon became his wife. Their son Maurice was born in when Anita was seventeen and this baby had only just been born when Edith came on the scene again and Fats was again arrested for non-payment of alimony. Again Fats refused to stick to the legal agreement he had made and once again his friends came to his rescue. But the following year he was not so lucky.

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By then the alimony he owed came to four figures, which was a large amount in those days and although his friends collected for him once again, this time they could not arrange things so swiftly and Fats was sent to jail. While he was in prison his. Fats wanted to go to the funeral but he did not wish to go under police escort and so did not attend.

Eventually the money was paid and he was released but from then on the Court kept in direct touch with him and received his payments and transferred them to Edith and young Thomas. He soon began broadcasting in a big way too. He was originally booked for a thirteen-week series, three times a week, which was soon extended for another thirteen weeks, from which he went straight into another series.

As he could not be seen while he was broadcasting Fats did not 'ham' quite as much as he did with great success in the clubs and began taking much more care with his singing. The good life continued. Fats left Anita at home with the children and went to Paris with Spencer Williams who spent a great deal of his life there. After six weeks of continual night-clubbing both men were completely broke and had to wire home for the return fare.

On his return Fats took on a manager called Phil Ponce who got him a two-year contract for a radio programme called "Fats Waller's Rhythm Club", which was extremely successful. Then Ed Kirkeby took over as Manager and Fats' career proceeded even faster. When Ed took over Fats owed alimony to Edith, commission to Phil Ponce; he owed payments on his car, back taxes and fines levied on him by the Musicians Union.

Gradually Ed straightened all this out for him and did his best to keep Fats out of trouble from then on. In it he played piano and sang two songs. In his next film he had a small part as well as singing and playing. Then, in July came his first European tour. The Scots loved it and gave him ten curtain calls.

The London Suite (Sequenced by Bob Burt)

He then went on to the London Palladium where he was even more successful. Fats was at his greatest, playing the Palladium, doubling with suburban theatres, doing four shows a night and in between playing at nightclubs in the West End until dawn. The following week he again went to the HMV Studios and made six organ solos of beautiful spirituals. From London he went to Denmark on the first part of his Scandinavian tour but after two weeks the tour was cut short by the threat of war and Fats decided he had better return to America.

But before he did he returned once more to Britain and made his h s t ever television appearance for the B. The masters were destroyed in the blitz but a set of the original pressings was eventually found, almost by accident, in a music publishers office. So, twelve years late, the record was finally issued. Fats returned to America for a series of one-night stands all over the country, which he continued up to , working for many inan endeavor to pay off some of the debts which, with his happy-go-lucky attitude to money he could not help incurring.

He carried on appearing in clubs and at Army bases all over the U. He caught 'flu but refused to go to hospital and so doctors attended him at his hotel and persuaded him to stay in bed for a few days, but he was soon up carrying on with his dates, looking forward to spending Christmas with his family. On the train going home, on December 20th, he suddenly collapsed.

The train was stopped at Kansas City and Ed Kirkeby hurried for a doctor but it was too late. Fats was dead. An autopsy found he had died of influenza1 bronchial pneumonia, no doubt brought on by his refusal to stay in bed as advised by the doctors. The crowds attending his funeral stopped the traffic for three blocks around the Church, and followed the funeral procession through the streets to the Fresh Pond Crematory on Long Island. The pall-bearers included his long-time friends, Andy Razaf, James P.

Johnson and Clarence Williams. Fats is remembered by many people who have no interest in jazz for his colourful personality and great zest for life. He is remembered by others as a great pianist, comedian land showman, and by still others by the legacy of great artists descended from his style of playing, such as Art Tatum and Count Basie. He was, perhaps, never allowed to give of his best on radio or at concerts where his admirers' wanted him merely to entertain them and it is those who were privileged to hear him at private parties who probably knew, and treasure, the best of Fats.

Rights assigned t o Joy Music Inc. I found You're so sweet can't be beat No- thin' swee-ter ev-er st ood on feet. Hon-ey, Oh! Show me the ring- and I'll I jump right through, I used t o trav - el sing-le 0,- We chanced t o I ming-le 0, - Now I'm a ting-le 0 - ver you. Must I go or must 1 stay? I would ne - ver strug-gIe t o be free. You're my judge and ju - ry What do you as - sure me If the charge is 1 lov - i?

You should see my art col - lec-tion, It's- t he best t hat gold can buy,- 3. Please st ep i n, my bash - f ul mai d-en, Let - me r est your dai n- ty hat. A13 E7 7. Say, in i n- door sports, 1t'e thelewhere you nh-ine, I n 2. Your girl she likes you, And thinks you ar e nice, You 3. Up in Hat-lem a t A t a - ble for two, There 4. He appeared in several feature films and short subject films, most notably Stormy Weather in , which was released July 21, just months before his death.

Waller performed Bach organ pieces for small groups on occasion. Waller influenced many pre- bebop jazz pianists; Count Basie and Erroll Garner have both reanimated his hit songs. In addition to his playing, Waller was known for his many quips during his performances. Between and the end of , Waller recorded a series of pipe organ solo records. These represent the first time syncopated jazz compositions were performed on a full-sized church organ.

Waller married Edith Hatch in Waller has his first son, Thomas Waller Jr. In Hatch divorced Waller. Albans, Queens , a New York City community with racially restrictive covenants. Waller contracted pneumonia and died on December 15, , while traveling aboard the famous cross-country train the Super Chief near Kansas City, Missouri.

His final recording session was with an interracial group in Detroit , Michigan , that included white trumpeter Don Hirleman. Waller was returning to New York City from Los Angeles, after the smash success of Stormy Weather , and after a successful engagement at the Zanzibar Room , in Santa Monica, California , during which he had fallen ill. The show and, Nell Carter , won Tony Awards. The show opened at the Longacre Theatre and ran for more than performances. Recordings of Fats Waller were inducted into the Grammy Hall of Fame which is a special Grammy Award established in to honour recordings that are at least 25 years old and that have "qualitative or historical significance".

Probably the most talented pianist to keep the music of "Fats" Waller alive in the years after his death was Ralph Sutton , who focused his career on playing stride piano. Sutton was a great admirer of Waller, saying "I've never heard a piano man swing any better than Fats — or swing a band better than he could.

I never get tired of him. Fats has been with me from the first, and he'll be with me as long as I live. Johnson alive. In , as an year-old, Janis put together a band of aging jazz greats, consisting of James P.

‘Ain’t Misbehavin” celebrates songbook of ‘Fats’ Waller

Source: [36]. From Wikipedia, the free encyclopedia. This article needs additional citations for verification.

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Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Scarecrow Press. Retrieved June 7, — via Google Books. Archived from the original on April 6, Retrieved July 10, In Rollyson, Carl ed.

The Twenties in America. Ipswich, MA: Salem Press. Encyclopedia of World Biography vol. Detroit: Gale. Retrieved October 30, Fats Waller. The Castle on the Parkway. In Price, Emmett G. Encyclopedia of African American Music. Santa Barbara: Greenwood. Johnson American composer and pianist". Encyclopedia Britannica. Retrieved May 13, October 28, Stride: The Music of Fats Waller. All You Need Is Love. Viking Press. Retrieved April 4, Fats Waller , Schirmer Books, Retrieved June 27,

How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)
How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)
How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)
How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)
How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)
How Come You Do Me Like You Do (Fats Wallers Conception) How Come You Do Me Like You Do (Fats Wallers Conception)

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