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Prelinger Archives efficiency still! German operating minutes, rights, and need! Digital Storytelling: New Literacy, New Audiences Jean Burgess , Queensland University of Technology, Australia, and John Hartley Digital storytelling fills a gap between everyday cultural practice and professional popular media that was never adequately bridged during the broadcast era.
Digital stories are simple but disciplined, like a sonnet or haiku, and anyone can learn how to make them. The paper examines what is needed to bring out their potential, discusses some of the emerging initiatives that aim to increase their reach, and includes examples. What happens in the reduction of these tales for very young children? Considering traditional tales and storytelling as building blocks in literacy development, it compares the presentation of characters, dilemmas, lessons, language and visual portrayals in the translation of old tales into modern nursery literature.
Carpenter , new media artist Throughout the post-Talmudic period, the great distances that separated Diaspora Jewry from the scholars of Babylon necessitated the evolution of responsa literature, a type of question-and-response lawmaking. Heather Carver and Elaine J. In addition to this work, we have written a play about women incarcerated for allegedly killing their abusive partners.
US and Spanish media used the Twin Towers to globalize the attack, while after the Madrid bombings both of them focused on individuals. The Muslim as Other in Hindi Cinema: Exoticized, Marginalized and Demonized Kalyani Chadha , University of Maryland While Indian society has been the site of frequent communal differences, Hindi cinema, one of its principal cultural forces, has traditionally appeared to be an arena that has resisted Hindu-Muslim separatism, the representation of Muslims in Hindi films has received little attention.
This paper traces the portrayal of Muslims within mainstream Hindi films from the s to the current period, and finds that Muslims have been variously "othered" through their exoticization, marginalization, and their demonization in Hindi films. Property Stories Anthony Chase , Nova Southeastern Law Center The story of property as a historical and legal phenomenon is told differently depending upon motive and audience. There is a dominant or master narrative that is animated by a basic contradiction between the idea that private individuals should be able to use their property any way they wish versus the notion that there are always fundamental duties toward others, obligations that necessarily impinge upon one's own property use.
How have Hollywood motion pictures told this particular story? The unusual sensitivity to the "barbarian" women warriors in this play suggests a closer and more complex relationship between the various ethnic groups in this region. Indeed, the ingenuity and complexity of Reunion's women warriors may have contributed to its enduring popularity in a locality where the Han people, Manchus and Mongols co-exist.
This paper will explore the storytelling possibilities that exist within the space of LiveJournal. The Archetypal Road-Myth: From the Highway to The Matrix Theodoros Chiotis , Oxford University; Pavlos Baltas and Nikos Barbopoulos , National Technical University of Athens The paper examines the persistence and permutations of the archetypal road myth focusing on the manner the traveller, who after getting in touch with the unknown in his wanderings, experiences a mythological and ontological shift.
Applying Oral History to Media Research Steven Classen , California State University, Los Angeles; Devorah Heitner , Northwestern University; Mark Williams , Dartmouth College Three scholars who have completed, or are in the process completing, major research projects in television studies that utilize oral history will make short presentations on use of oral history in their own research.
They will then conduct a discussion about the use of oral history to study media audiences, media producers and media memory. Among the issues addressed: the capacity or potential for oral histories to produce new and unanticipated research topics and lines of inquiry; and the special responsibilities and ethics of oral history and the interpretive challenges of using oral history to build a historical narrative. The Narratives of Nonfiction in New Media and the Concept of Emergence Roderick Coover , Temple University With special attention given to the ethnographic image, this paper rethinks the storytelling traditions of nonfiction film through the concepts of emergence and multilinearity.
The paper synthesizes ideas offered by Steven Johnson, David MacDougal and others in an examination of nonfiction methodology and new media. The paper points to recent works like those of The Labyrinth Project to ask how new kinds of storytelling are emerging through tools of digital media and the metaphors that these new tools provide.
My particular focus will be on certain cinematic strategies of narrative construction, and the denouement of the story. I will contend that The Seventh Sign is an example of secular apocalypse, a reworking of a traditional story into a new medium. However, condemning 'corrupt politics' has become such a routine and widespread media practice that it has lost most of its dis engaging power.
Free Sites Of Autopsy In Contemporary Culture S U N Y Series In Postmodern Culture 2005
Thus, the basic representation of politics as corrupt has to be dramatized and performed as a unique story for re-gaining meaning and triggering people's imagination. The ultimate importance of narrativization will be demonstrated by exloring why two otherwise rather similar political scandals had such different results: one marginalized, the other heavily influencing the results of Hungarian parliamental elections.
So what would someone who relied only on The Daily Show with Jon Stewart have known about the presidential campaign? A synopsis of the campaign constructed solely from segments of the show, interviews with political consultants, journalists and other comedians and theories by James Carey, Todd Gitlin and Kathleen Hall Jamieson isolate Stewart's stories and examine their cultural impact. Television: A Creative Industry? Maire Messenger Davies , University of Ulster The paper draws on interviews with television creative workers to examine what has been characterized pejoratively as an "industrialized" form of storytelling - the production of scripts for a weekly TV drama series in this case, Star Trek , but with reference to other shows.
The interviews raise questions about quality and cultural value, as well as the relationship of individual agency with the economics and technologies of television production. It asks: Is the term "creativity" appropriate when applied to TV storytelling? The first is a classic literary plot diagram. The second is a diagram developed by the author illustrating stages of interactivity. A close reading of the game from these two perspectives enables an exploration of how the game's story relates to the interactive elements of its gameplay.
Comparing the now routine dramas of spectacular personal and home makeovers reveals much about contemporary forms of commodification and suggests a shift in meaning between having and being. The marketing of previously unmediated subjects also makes the makeover show in many ways the quintessential reality TV format. Moreover, the paper argues, the makeover is the quintessential tale of late capitalism, a tale with a didactic intent. But the newest attractions represent a fundamental shift in the way guests experience Disney's three-dimensional stories.
Narrated journeys are being replaced by immediate sensory experiences in which the story takes a back seat. This essay explores the narratives of Disney's theme park attractions and their subtle but significant shift from narrative-driven explorations to immediate experiences that are supported by stories. The central question raised is to what extent storytelling can be content- or connectivity-based, and what level of participation is included in the narrative experience.
This presentation features examples and analyses of contemporary media work between content versus connectivity, and between moderated versus unmoderated participatory communication. This forecast has been overly optimistic, but an increasing number of Chinese films have been picked up by American distributors and released in American theaters and video rental outlets.
This paper addresses how "China" is constructed by contemporary film-makers and then packaged by distributors in a deliberate attempt to communicate with global, especially American, audiences. In particular, I consider how different genres of contemporary Chinese film each present a distinct vision of China containing implicit, or sometimes explicit assumptions about China's position in relation to the West, and about the makeup of American audiences.
This paper examines the traditional journalistic ideal of objectivity in the context of Joe Sacco's work, and explores how Sacco fuses the comics medium with a journalism that aims higher than just reporting the news. In both news footage and literature, there are such intriguing similarities in the past and present attitudes about miscegenation that it becomes clear there is a narrative framework of racial interaction embedded in the British national consciousness. It is this story I propose to unearth. In series like Queer Eye for the Straight Guy , Faking It , and Date Patrol , the made-over are coached in multiple aspects of their everyday lives: not just what to wear, but how to wear it, how to move, how to talk, how to eat.
Recently, the televoting audience has unexpectedly given a series of victories to countries preparing to enter the EU Estonia, Latvia, Turkey, Ukraine. Arranging in , Estonia organized the broadcast as a modern fairy tale, representing the nation's development into a free, European state.
When the profile was published, Masson sued Malcolm for "making up quotes" that she had attributed to him. Malcolm insisted that she hadn't made up quotes and that she had followed narrative techniques that had long been standard in journalism. The case lasted 13 years. I will use the Malcolm case to explore how stories about storytelling function within the journalism community to defend or challenge boundaries of legitimate narrative practice within the profession, and to define "legitimate journalist.
Techno-Nationalist Tales of Glory and Failure: Writing the History of Inventions in Early Film and Television Andreas Fickers and Frank Kessler , University of Utrecht In our paper we wish to argue that recurrent elements can be found in narratives on inventors and inventions in media technologies such as cinematography and television. Looking at accounts on the work of the Lumiere and Skladanowsky brothers, on Edison, Friese-Greene film , Baird, Nipkow, Barthelemy and Fransworth television we shall analyze the narrative patterns structuring the tales of glory and failure, especially with regard to the inherent nationalist dimension.
In this story the past is the present. The visual and aural storytelling strategies Mendiola employs to articulate his vision speak to the fragility of identity for oppressed people, then and now. Conditions of Narrativity Kianga Ford , University of California at Santa Cruz and Occidental College In the shadow of history, there are millions of tiny stories negotiated in the everyday. The Story Project solicits and produces these tiny stories as an ongoing series of installation works. Displaced from the page into the arena of the visual arts, The Story Project endeavors to address narrative as a condition, as a facilitator and filter of interactions between people and their environments.
Stories depicting the rights and obligations of actors involved in the production and distribution of texts. My presentation will consist of a comparative analysis of copyright acts. The main purpose is to examine how the role of the author is articulated in these texts and how the story of the author is affected by changing forms of cultural production and circulation. Using these conventions for non-native English speakers can often be as or more important than teaching business or technical writing. The ability to present these materials as personal web pages or in BlackBoard has brought these courses into another dimension.
Socrates Meets Borges: Telling Digital Stories Around the Virtual Liberal Arts Campfire Barbara Ganley and Hector Vila , Middlebury College In this paper, two Middlebury College professors will argue that the synthesis of web authoring with digital storytelling recreates dimensions of extended and enduring connectivity, privileging the importance of story to community, to advocacy and activism, to education and to a sense of personal efficacy.
Digital storytelling, in particular, asks practioners to reconsider the role and form of stories in academic discourse and in their own creative and intellectual investigations. Parmalat: A Study in Fractured Narrative Dawn Gilpin , Temple University Multiple and in some cases conflicting accounts originating from a single source may be described as "fractured narratives," which uphold the standards of current public relations theory but which can also produce striking dissonances.
Stories about Computers David Golumbia , University of Virginia Computer scientists often write about or advocate for particular directions in future computer design, and only very few of these have turned out to be accurate. At the same time, computer narratives in SF fiction and media often turn out to correctly predict the shape and function of digital technology. This paper analyzes works by computer scientists and SF writers to see what role narratives and their reception play in the construction and definition of digital technology and its culture.
Old Stories in New Dresses? Babette Grabner , independent scholar In western cultures, there hardly exist storytellers in the traditional sense anymore. The question that arises from that is where the stories have moved to. Is it possible that people of the 21st century do not need stories any more, or has another medium taken over the function of storytelling?
I want to look at the processing of stories in film, and address the question: are the new stories in cinema merely old stories in new dresses? Storytelling Across the Media Michael Grabowski , College of New Rochelle In an environment in which industries are increasingly dependent upon multiple media, too many courses focus on only a single medium.
Integrating the work of scholars who explore media theory Marshall McLuhan, Harold Innis, Neil Postman , this presentation will explore how to engage students within a production course in order to assess how the biases of each medium influence the stories they tell. Whose Story Is This? Turning specifically to television, the medium's oft-communal model of creation also fits with the idea of an absent author. Abrams, and others becoming common names spoken of by viewers, often in reverential terms.
This paper studies what role authors now play, and what roles they are asked to play as go-betweens for producers and audiences, networking notions of textual ownership, diegetic creation, fan identification, and viewer rights. All three texts afford complementary angles on the question of whether, or how, the representation of death bestows meaning on a literary text and indeed on the process of history itself.
What Happens Next? How can we create stories that are genuinely responsive to user input and interaction, but that still make sense as good old-fashioned narratives? This presentation examines some of the strategies and techniques of interactive storytelling that are used by folk practitioners such as role-players and improvisational comics. It also explores the lessons these storytellers have for technologically-mediated interactive narratives. Fireworks contribute contemporary or historical realism to the culmination of civic celebrations and sports.
In romance mise-en-scene , fireworks are a lingering motif; the couple literally "sees stars" as they embrace. Comedy exploits the explosive nature of fireworks, turning the danger of unstoppable sequential firing into slapstick. Avant-garde film explores the streaming forms and sounds of fireworks. This paper explores the various ways that display fireworks are used in screen storytelling. Today, however, Web logs, or blogs, have had a profound impact on the storytelling of the World Wide Web.
This presentation will analyze how bloggers have used the Web as a means to step outside of the traditional journalistic standards of objectivity, balance, and fairness to return to perhaps a mixture of the partisan press during the 18th and 19th centuries and the muckrakers of the early 20th Century. Television generates a total-field awareness, which foregrounds the discourse of print, closing its open network of signs to form an iconic structure.
This changes words from signs to symbols, meaningful for their direct effect on the psyche. Narratives thereby come to operate as the myths pervading popular culture as tabloid stories. Old Images and New Stories in Indigenous Cinemas Joanna Hearne , University of Missouri, Columbia This paper explores contemporary indigenous film and digital video productions that re-assess prior systems of Western image-making.
Heidt , Kenyon College This paper explores collections of case studies or transcribed interviews of social suffering produced since the early s, including Bourdieu's The Weight of the World and Shipler's The Working Poor. I also explore how the Internet has made individuals'experiences of working poverty legible without utilizing commercial presses.
Applying Oral History to Media Research Devorah Heitner , Northwestern University; Steven Classen , California State University, Los Angeles; Mark Williams , Dartmouth College Three scholars who have completed, or are in the process completing, major research projects in television studies that utilize oral history will make short presentations on use of oral history in their own research. Cognitive Approaches to Stories and Storytelling David Herman , The Ohio State University Because of the range of artifacts and media falling under their purview, their richly interdisciplinary heritage, and the varying backgrounds and interests of their practitioners, cognitive approaches to narrative at present constitute more a set of loosely confederated heuristic schemes than a systematic framework for research on stories.
Working toward an integrative model, this paper surveys a number of cognitively oriented paradigms for narrative analysis, exploring how the field has been shaped by ideas from structuralist narratology, artificial-intelligence research, cognitive linguistics, conversation analysis, and discursive psychology.
Narrative Archaeology: Reading the Landscape Jeremy Hight , new media artist GPS has been used for military weapon tracking, for navigation and mapping, but it and wireless are now able to be used to set locations as triggers in physical space for narrative segments that build as one moves across the city space.
A writer can set scenes in physical locations but now can also use narrative segments to tell of unseen layers of architecture, history, ethnography and other areas where the person can read the places in city. There will be anthologies, not in books on shelves, but laid out in physical space as artists explore linking areas with locative media-driven narratives across city spaces.
Short autobiographical narratives regarding media experiences are seen as ways in which people position themselves in relation to dominant discourses and ideologies. Analyzing the narratives will give us insights into how authors constitute themselves as social subjects. This will be demonstrated by focusing on reading of films like Amalie as well as popular TV programs. Microlearning and Narration Theo Hug , University of Innsbruck Microlearning deals with relatively small learning units and short-term-focused activities.
This approach supports repetitive learning through embedding the learning process into the daily routine by making use of communication devices. Through this method new learning spaces emerge and become available for life-long learning. In addition to the self-reflectivity of the actors themselves, or the self-reflectivity of the story, an unconscious dimension to the characters is explicitly shown.
This playfulness of time, where the usual "tenses" of language no longer hold true illustrate what Deleuze called "time cinema. Just Men in Tights? Previous writers have celebrated one or moments of revisionism during which comic book auteurs rethought or reworked basic building blocks, often with the goal of offering an ideological critique of the whole tradition.
Yet, revisionism has been part of the way the superhero gernre oeprated from the beginning, part of an ongoing process of renewal and differentiation sustainging interest among maturing readers. This paper examines a range of different strategies including gender mixing, "elseworlds," global hybridity, moral inversion, and the mainstreaming of alternative comics artists, which keep this genre fresh for contemporary comic readers. On the basis of postcolonialist critiques of modernity and studies of the epistemic politics of cultural reception in India, it outlines an emotional and relational framework in the terrorist narrative of Indian cinema that may offer insights into a popular sensibility about ahimsa, or nonviolence.
The Internet has made a successful alternative medium in Korea, but it is also changing media industry practices from casting for soap operas to financing and promoting big-budget films. Based on specific case studies, my paper argues for the contingency of fan culture, offering a critique of a free-floating theorization of fandom. This paper will review the salient aspects of the Cisco and Zorro cycles including the following: their relationship to actual historical or quasi-historical social bandits of the 19th century; the evolution of these cycles into the world of mass media and mass culture including film, television, comics, games, puzzles, and pastimes; and the emergence of Hispanic female counterparts to Zorro and Cisco.
A modern re-interpretation of a traditional Chinese mythic historical tale of patriotism and family loyalty, the serial's multi-dimensional treatment of the woman warrior figure is an exercise in interrogating the popular but often controversial issue of women in positions of power. I argue that this particular enactment of the Yang Family story effectively champions the transformational role of women warriors and its relevance in an age of moral ambivalence and socio-political transition. Kiernan , psychotherapist Palo Alto, CA The contributors to psychoanalysis looked to mythology to understand the psyche.
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A look into mythic and fairy tales patterns can still yield insights and clinical directions for contemporary psychotherapists. Fairy tales help develop reframes, have existential messages, and images to transform pain into creativity. This presentation integrates knowledge from psychoanalysis, systems theories, and cognitive psychology to demonstrate the link between fairy tales and spirit.
The patterns encoded in myths that transcend suffering will be defined. What can they tell us about social order and the role of journalism at the time? Is there a classic storytelling of crime and murder? We analyze how crime and perpetrators, their motives and victims are represented in leading Swedish newspapers; and how, especially in editorials, moralities about the misdeeds are framed into each period with its prevailing criminal policy and with its ideological-political interpretations of a society in "modern times.
This story of an individual striving for success only to be punished for this desire can be traced to early s robber barons whose meteoric rise to wealth and power embodied the belief that hard work, no matter how unscrupulous, is rewarded. The gangster film's fundamental structure of individual desire versus communal needs is replayed throughout the genre's history; its changes highlighting public views of who or what constitutes the Public Enemy.
Sebastian Koehler , Leipzig University Germany I focus on the increasing role of a particular kind of storytelling, which I call "narrativism": Narrativity is an integral part of modern journalism, as long as it is one part beside other modes of journalistic communication in all their diversity of content, form and perspective. Problems arise if narrativity becomes exaggerated, one-sided and displacing - in particular problems of over-simplification and excessive emotionalisation. Accordingly, I analyse the audiovisual storytelling of two events during the Iraq-War The coverage of the "saving" of Jessica Lynch in April , and the coverage of the "capture" of Saddam Hussein in December Both function as building blocks of the American "imagined community" Benedict Anderson.
Many who do civil disobedience to close the School of the Americas, of the U. How does connection across difference happen through stories? A case study and discussion of empathy vs. Includes brief performances of stories. Marwan Kraidy , American University This paper will explore how the stories told by Arab reality television articulate the social, political and economic realities of the Arab world.
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