Miles and Jo: Love Story in Blue


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Davis' studio activity in the s culminated in sessions throughout and for Get Up with It , a compilation that included four long pieces comprising over ninety minutes of new music alongside four shorter recordings from and Notably, the album contained "He Loved Him Madly", a thirty-minute tribute to the recently deceased Duke Ellington that presaged later developments in ambient music. In the United States, it performed comparably to On the Corner , reaching number 8 on the jazz chart and number on the pop chart. He then concentrated on live performance with a series of concerts that Columbia released on the double live albums Agharta , Pangaea , and Dark Magus The first two are recordings of two sets from February 1, in Osaka, by which time Davis was troubled with pneumonia, osteoarthritis, sickle-cell anemia, depression, bursitis, and stomach ulcers; he relied on alcohol, codeine and morphine to get through the engagements.

His shows divided audiences and were routinely panned by critics which cited the trumpeter's tendency to perform with his back to the audience. During this period, the keyboardist had eclipsed his former employer from a commercial standpoint with such fusion efforts as Head Hunters and Thrust , both of which were marketed to pop audiences in the aftermath of the On the Corner farrago and respectively peaked at number 13 on the Billboard pop chart. In his autobiography, Davis openly wrote about his mental state during his break in activity, describing his Upper West Side apartment as a wreck, his heavy drug and alcohol use, and his sexual encounters with many women.

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This led to Davis' lawyer to enter negotiations with United Artists Records, causing Columbia to match the offer made by the rival label and complete the deal. They then established the Miles Davis Fund, paying the trumpeter on a regular basis thereafter. Pianist Vladimir Horowitz was the only other Columbia artist that had such a status with the label. In early , Davis moved in with Elena Steinberg in Norwalk, Connecticut after her friend, music reporter Julie Coryell, was granted an interview with the trumpeter and wanted him cared to health.

Stevens , and drummer Al Foster. After Coryell declined a spot in a band that Davis was beginning to put together, Davis returned to his reclusive lifestyle in New York City. In August , Davis took a step towards a comeback when he hired Mark Rothbaum, who had worked for Davis since , as his new manager. By , Davis had rekindled his relationship with actress Cicely Tyson, with whom he overcame his cocaine addiction and regained his enthusiasm for music. The two married on November 26, in a ceremony held in Bill Cosby's home in Massachusetts and officiated by politician and civil rights activist Andrew Young; [] [] the marriage ended in divorce that was finalized in In October , Davis' contract with Columbia was up for negotiations.

By this time, label president Clive Davis was replaced by George Butler, who had made several visits to Davis' home during the previous two years to encourage him back into the studio to record new material. To help his situation, Davis had Buckmaster come over to collaborate on new music. His sister Dorothy took charge to clean his home with help from Buckmaster, Tyson, and neighbor Chaka Khan ; Davis later thanked Buckmaster in helping him.

Davis had not played trumpet for the better part of three years, and found the process of reclaiming embouchure difficult. His first studio appearance since his hiatus took place on May 1, The album sees Davis playing mostly wah-wah with a younger, larger band. The initial large band was eventually abandoned in favor of a smaller combo featuring saxophonist Bill Evans , not to be confused with pianist Bill Evans, and bass player Marcus Miller , both of whom would be among Davis' most regular collaborators throughout the decade.

The Man with the Horn received a poor critical reception despite selling fairly well.

Miles And Jo: Love Story In Blue

In early June , Davis returned to the stage, for the first time since , for a ten-minute guest solo spot as part of Mel Lewis ' band and orchestra at the Village Vanguard, New York City. In January , while Tyson was working in Africa, Davis "went a little wild" with alcohol and suffered from a stroke which temporarily paralysed his right hand. He credits Tyson in his recovery which involved regular exercise, piano playing, and visits to spas, yet he lost weight. Tyson also encouraged Davis to pursue drawing which the trumpeter took a particular liking to and worked on art for the rest of his life.

Davis resumed touring in May with a line-up that included French percussionist Mino Cinelu and guitarist John Scofield , with whom he worked closely on his studio album Star People In mid, while working on the tracks for Decoy , an album mixing soul music and electronica that was released in , Davis brought in producer, composer and keyboardist Robert Irving III , who had earlier collaborated with him on The Man with the Horn. With a seven-piece band, including Scofield, Evans, keyboardist and music director Irving, drummer Al Foster and bassist Darryl Jones later of the Rolling Stones , Davis played a series of European gigs to positive receptions.

During the event, Danish trumpeter Palle Mikkelborg had written a contemporary classical piece titled "Aura" for the event which impressed Davis to the point of returning to Denmark in early to record his next studio album, Aura In May , one month into a tour, Davis signed a new recording deal with Warner Bros. Records which included Davis signing over his entire publishing rights. Marsalis whispered into Davis' ear that "someone" had told him to do so. Davis responded by ordering him off the stage. The breaking point in the label-artist relationship appears to have come when a Columbia jazz producer requested Davis place a goodwill birthday call to Marsalis.

The tour included a performance in London in July that saw Davis on stage for five hours. Jazz critic John Fordham concluded: "The leader is clearly enjoying himself". It included another brief stylistic detour, this time with his interpretations of Cyndi Lauper 's ballad "Time After Time", and Michael Jackson 's pop hit "Human Nature". Davis considered releasing an entire album of pop songs and recorded dozens of them, but the idea was scrapped. Davis noted that many of today's accepted jazz standards were in fact pop songs from Broadway theater, and that he was simply updating the "standards" repertoire with new material.

Davis collaborated with a number of figures from the British post-punk and new wave movements during this period, including Scritti Politti. In Lydon's words, however, "strangely enough, we didn't use [his contributions]. For his next studio album, Davis intended to record as a collaboration with pop artist Prince, but the project was soon shelved.

Instead, Davis chose to work with multi-instrumentalist Marcus Miller. The resulting album, Tutu , was Davis' first to use modern studio tools including programmed synthesizers, sampling and drum loops, to create an entirely new setting for his music. Released in September , its front cover features a striking portrait of Davis by Irving Penn. In , Davis had a small part as a street musician in the Christmas comedy film Scrooged , starring Bill Murray.

Shukat revealed Davis had been in hospital for a mild case of pneumonia and the removal of a benign polyp on his vocal cords, yet was resting comfortably in preparation for his tours. In the film's opening sequence, Davis and his band unexpectedly land on a remote airstrip in the Australian outback and proceed to perform for the surprised locals. He continued to tour in the late s with a band of constantly rotating personnel. Some listeners and critics who had been disappointed with his experimental late period were happy that his career ended in such a way.

On July 8, , Davis returned to performing material from his past at the Montreux Jazz Festival with a band and orchestra conducted by Quincy Jones. In early September , Davis checked into St. John's Hospital near his home in Santa Monica, California, for routine tests. This provoked an outburst from Davis that led to a cerebral haemorrhage, followed by a coma.

After several days on life support, Davis' machine was turned off and he died on September 28, His death was officially reasoned as the combined effects of a stroke, pneumonia and respiratory failure. Peter's Church in New York City that was attended by around friends, family members, and musical acquaintances, with many fans standing outside in the rain. Late in his life, from the "electric period" onwards, Davis repeatedly explained his reasons for not wishing to perform his earlier works, such as Birth of the Cool or Kind of Blue. In his view, remaining stylistically static was the wrong option.

It's over [ But I have no feel for it anymore, it's more like warmed-over turkey. The rock and pop thing certainly draws a wider audience. It happens more and more these days that unqualified people with executive positions try to tell musicians what is good and what is bad music. Davis is regarded as one of the most innovative, influential and respected figures in the history of music. The Guardian described him as "a pioneer of 20th-century music, leading many of the key developments in the world of jazz.

Miles Davis was the most widely recognized jazz musician of his era, an outspoken social critic and an arbiter of style—in attitude and fashion—as well as music". William Ruhlmann of AllMusic wrote that "To examine his career is to examine the history of jazz from the mids to the early s, since he was in the thick of almost every important innovation and stylistic development in the music during that period [ Miles' influence on the people who played with him has been described by music writer Christopher Smith as follows:. Miles Davis's artistic interest was in the creation and manipulation of ritual space, in which gestures could be endowed with symbolic power sufficient to form a functional communicative, and hence musical, vocabulary.

His position in that tradition, and his personality, talents, and artistic interests, impelled him to pursue a uniquely individual solution to the problems and the experiential possibilities of improvised performance. His approach, owing largely to the African-American performance tradition that focused on individual expression, emphatic interaction, and creative response to shifting contents, had a profound impact on generations of jazz musicians. Kind of Blue remains the best selling jazz album of all time. On November 5, , U. Representative John Conyers of Michigan sponsored a measure in the United States House of Representatives to recognize and commemorate the album on its 50th anniversary.

The measure also affirms jazz as a national treasure and "encourages the United States government to preserve and advance the art form of jazz music. It was donated to the school by Arthur "Buddy" Gist, who met Davis in and became a close friend. In , the New England Conservatory awarded Davis an Honorary Doctorate for his extraordinary contributions to music.

In , Moldejazz premiered a play called Driving Miles , which focused on a landmark concert Davis performed in Molde, Norway, in Rivele, and Christopher Wilkinson, which interprets the life and compositions of Davis. Start the radio. Music database Musician. Miles Davis From Wikipedia, the free encyclopedia. The composition displays Davis' transition from the post-bop style to electronic jazz fusion.

A sample of "Go Ahead John" from Big Fun , a track pieced together in post-production from individual takes recorded in by producer Teo Macero. This was music that polarized audiences, provoking boos and walk-outs amid the ecstasy of others. The length, density, and unforgiving nature of it mocked those who said that Miles was interested only in being trendy and popular.

Some have heard in this music the feel and shape of a musician's late work, an egoless music that precedes its creator's death. As Theodor Adorno said of the late Beethoven, the disappearance of the musician into the work is a bow to mortality. It was as if Miles were testifying to all that he had been witness to for the past thirty years, both terrifying and joyful. Retrieved June 16, African American Registry. Retrieved June 11, Michael April 11, All About Jazz.

Retrieved June 20, Rolling Stone. Retrieved June 12, Retrieved 11 June Rock and Roll Hall of Fame.

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Retrieved May 1, Missouri History Museum. The New Yorker. Retrieved March 24, Retrieved He took the initiative and put the theories to work. He called the rehearsals, hired the halls, called the players, and generally cracked the whip. Johnson Publishing Company. New York: Pantheon, , African-American players working in white establishments would avoid references to the blues altogether.

In the autobiography, Davis says that Monk "could not play behind a horn. Recording Industry Association of America. Retrieved May 7, Retrieved July 17, Australian Broadcasting Corporation. December 16, Retrieved January 6, Baltimore Afro-American. September 1, Retrieved August 27, Sarasota Journal. August 26, Pitchfork Music Festival. Retrieved on April 3, Archived from the original on July 21, Retrieved April 15, December 7, Retrieved October 8, The Village Voice.

For a new periodization of the history of jazz" PDF. But after eight months of touring, a tired Evans left. Wynton Kelly , his replacement, brought to the group a swinging style that contrasted with Evans's delicacy. The sextet made their recording debut on Jazz Track By early , Davis was exhausted from recording and touring with his quintet and wished to pursue new projects. During a two-week residency in Chicago in March, the year-old Davis told journalists of his intention to retire at its conclusion and revealed offers he had received to become a teacher at Harvard University and a musical director at a record label.

Davis accepted and worked with Gil Evans in what became a five-album collaboration from to Evans devised orchestral passages as transitions, thus turning the album into one long piece of music. The classical musicians had trouble improvising, while the jazz musicians couldn't handle the difficult arrangements, but the album was a critical success, selling over , copies in the US.

Evans stated it was only half an album and blamed the record company; Davis blamed producer Teo Macero and refused to speak to him for more than two years. In March and April , Davis recorded what many critics consider his greatest album, Kind of Blue He named the album for its mood. Released in August , Kind of Blue was an instant success, with widespread radio airplay and rave reviews from critics.

During the success of Kind of Blue , Davis found himself involved with the law. As he was escorting a blonde-haired woman to a taxi, policeman Gerald Kilduff told him to "move on. Davis was taken to jail, charged for assaulting an officer, then taken to the hospital where he received five stitches. Davis and his sextet toured to support Kind of Blue.

Coltrane then departed to form his quartet, though he returned for some tracks on Davis's album Someday My Prince Will Come Its front cover shows a photograph of his wife, Frances Taylor, after Davis demanded that Columbia depict black women on his album covers. He later wrote, "Every time I hit her, I felt bad because a lot of it really wasn't her fault but had to do with me being temperamental and jealous. About a week after the photograph for the album E. In December , Davis, Kelly, Chambers, Cobb, and Rollins played together for the last time as the first three wanted to leave and play as a trio.

Following auditions, he found his new band in tenor saxophonist George Coleman , bassist Ron Carter , pianist Victor Feldman , and drummer Frank Butler. The quintet played essentially the same bebop tunes and standards that Davis's previous bands had played, but they approached them with structural and rhythmic freedom and occasionally breakneck speed. This quintet lasted through Shorter became the group's principal composer, and the album E. While touring Europe, the group made its first album, Miles in Berlin Davis needed medical attention for hip pain, which had worsened since his Japanese tour during the previous year.

After his third month in the hospital, he discharged himself due to boredom and went home. He returned to the hospital in August after a fall required the insertion of a plastic hip joint. Teo Macero returned as his engineer and record producer after their rift over Quiet Nights had healed. In January , Davis spent three months in the hospital due to a liver infection. When he resumed touring, he performed more at colleges because he had grown tired of the typical jazz venues.

Matters were not helped by the press reporting his apparent financial troubles and imminent demise. He started a relationship with actress Cicely Tyson , who helped him reduce his alcohol consumption. Material from the — sessions was released on Miles Smiles , Sorcerer , Nefertiti , Miles in the Sky , and Filles de Kilimanjaro The quintet's approach to the new music became known as "time no changes"—which referred to Davis's decision to depart from chordal sequences and adopt a more open approach, with the rhythm section responding to the soloists' melodies.

In , the group began to play their concerts in continuous sets, each tune flowing into the next, with only the melody indicating any sort of change.


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His bands performed this way until his hiatus in Miles in the Sky and Filles de Kilimanjaro —which tentatively introduced electric bass, electric piano, and electric guitar on some tracks—pointed the way to the fusion phase of Davis's career. He also began experimenting with more rock-oriented rhythms on these records.

Davis soon took over the compositional duties of his sidemen. In September , Davis married year-old model and songwriter Betty Mabry. In his autobiography, Davis described her as a "high-class groupie, who was very talented but who didn't believe in her own talent. The album contains two side-long tracks that Macero pieced together from different takes recorded at the session. When the album was released in July , some critics accused him of "selling out" to the rock and roll audience. In a Silent Way was his entry into jazz fusion.

The touring band of ——with Shorter, Corea, Holland, and DeJohnette—never completed a studio recording together, and became known as Davis's "lost quintet". In October , Davis was shot at five times while in his car with one of his two lovers, Marguerite Eskridge. The incident left him with a graze and Eskridge unharmed. The album contained long compositions, some over twenty minutes, that were never played in the studio but were constructed from several takes by Macero and Davis. Other studio techniques included splicing, multitrack recording, and tape loops.

By , it had sold one million copies. In March , Davis began to perform as the opening act for various rock acts, allowing Columbia to market Bitches Brew to a larger audience. He was so offended by Clive Davis's suggestion to perform at the Fillmore East that he threatened to switch record labels, but he reconsidered and shared a bill with the Steve Miller Band and Neil Young with Crazy Horse on March 6 and 7.

He was committed to making music for African-Americans who liked more commercial, pop, groove-oriented music. Showcasing former Stevie Wonder touring bassist Michael Henderson , who replaced Holland in the autumn of , the album demonstrated that Davis's ensemble had transformed into a funk-oriented group while retaining the exploratory imperative of Bitches Brew.

In , composer-arranger Paul Buckmaster introduced Davis to the music of German avant-garde composer Karlheinz Stockhausen , leading to a period of creative exploration. Biographer J. Chambers wrote, "The effect of Davis' study of Stockhausen could not be repressed for long Davis' own 'space music' shows Stockhausen's influence compositionally.

Davis invited Buckmaster to New York City to oversee the writing and recording of the album with Macero. On the Corner elicited a favorable review from Ralph J. Gleason of Rolling Stone , [] but Davis felt that Columbia marketed it to the wrong audience. He took painkillers and cocaine to cope with the pain.

Only Smith was a jazz instrumentalist; consequently, the music emphasized rhythmic density and shifting textures instead of solos. This group was recorded live for In Concert , but Davis found it unsatisfactory, leading him to drop the tabla and sitar and play keyboards. He also added guitarist Pete Cosey. The compilation studio album Big Fun contains four long improvisations recorded between and Studio activity in the s culminated in sessions throughout and for Get Up with It , a compilation that included four long pieces comprising over ninety minutes of new music alongside four shorter recordings from and The album contained "He Loved Him Madly", a thirty-minute tribute to the recently deceased Duke Ellington that presaged later developments in ambient music.

He then concentrated on live performance with a series of concerts that Columbia released on the double live albums Agharta , Pangaea , and Dark Magus The first two are recordings of two sets from February 1, in Osaka, by which time Davis was troubled by pneumonia, osteoarthritis, sickle-cell anemia, depression, bursitis, and stomach ulcers; he relied on alcohol, codeine, and morphine to get through the engagements. His shows were routinely panned by critics who mentioned his habit of performing with his back to the audience.

Hancock had eclipsed his former employer from a commercial standpoint with Head Hunters and Thrust , two albums that were marketed to pop audiences in the aftermath of the On the Corner farrago and peaked at number 13 on the Billboard pop chart. In his autobiography, Davis wrote frankly about his life during his hiatus from music. He called his Upper West Side brownstone a wreck and chronicled his heavy use of alcohol and cocaine, in addition to his sexual encounters with many women.

But after his lawyer started negotiating with United Artists , Columbia matched their offer, establishing the Miles Davis Fund to pay him regularly. Pianist Vladimir Horowitz was the only other musician with Columbia that had a similar status. In , Julie Coryell interviewed Davis.

Concerned about his health, she had him stay with a friend in Norwalk, Connecticut. Stevens , and drummer Al Foster.


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After Coryell declined a spot in a band that Davis was beginning to put together, Davis returned to his reclusive lifestyle in New York City. In August , Davis hired a new manager, Mark Rothbaum, who had worked with him since By , Davis had rekindled his relationship with actress Cicely Tyson , with whom he overcame his cocaine addiction and regained his enthusiasm for music. The two married on November 26, , in a ceremony at Bill Cosby 's home in Massachusetts that was officiated by politician and civil rights activist Andrew Young.

In October , his contract with Columbia was up for negotiation. Label president Clive Davis was replaced by George Butler , who had visited Davis several times during the previous two years to encourage him to return to the studio. To help his situation, Davis had Buckmaster come over to collaborate on new music. Davis later thanked Buckmaster for helping him. Davis hadn't played the trumpet much for three years and found it difficult to reclaim his embouchure.

His first post-hiatus studio appearance took place on May 1, A large band was abandoned in favor of a combo with saxophonist Bill Evans not to be confused with pianist Bill Evans and bassist Marcus Miller. Both would collaborate with him during the next decade. The Man with the Horn received a poor critical reception despite selling well. In June , Davis returned to the stage for the first time since in a ten-minute guest solo as part of Mel Lewis 's band at the Village Vanguard.

In January , while Tyson was working in Africa, Davis "went a little wild" with alcohol, and suffered a stroke that temporarily paralyzed his right hand. After three months of treatment with a Chinese acupuncturist, he was able to play the trumpet again. He listened to his doctor's warnings and gave up alcohol and drugs. He credited Tyson with helping his recovery, which involved exercise, piano playing, and visits to spas. She encouraged him to draw, which he pursued for the rest of his life. Davis resumed touring in May with a line-up that included French percussionist Mino Cinelu and guitarist John Scofield , with whom he worked closely on the album Star People In mid, he worked on the tracks for Decoy , an album mixing soul music and electronica that was released in With a seven-piece band that included Scofield, Evans, Irving, Foster, and Darryl Jones , he played a series of European performances that were positively received.

Trumpeter Palle Mikkelborg had written a contemporary classical piece titled "Aura" for the event which impressed Davis to the point of returning to Denmark in early to record his next studio album, Aura In May , one month into a tour, Davis signed a contract with Warner Bros.

Marsalis whispered into Davis' ear that "someone" had told him to do so. Davis responded by ordering him off the stage. The breaking point appears to have come when a producer at Columbia asked him to call Marsalis and wish him a happy birthday. The tour in included a performance in London in July in which Davis performed on stage for five hours. Jazz critic John Fordham concluded, "The leader is clearly enjoying himself. He considered releasing an album of pop songs, and he recorded dozens of them, but the idea was rejected. He said that many of today's jazz standards had been pop songs in Broadway theater and that he was simply updating the standards repertoire.

Davis collaborated with a number of figures from the British post-punk and new wave movements during this period, including Scritti Politti. In Lydon's words, however, "Strangely enough, we didn't use [his contributions]. For his next studio album, he intended to collaborate with Prince , but the project was dropped.

Released in September , its front cover is a portrait of Davis by Irving Penn. In , Davis had a small part as a street musician in the Christmas comedy film Scrooged starring Bill Murray. In November , he was inducted into the Knights of Malta at a ceremony at the Alhambra Palace in Spain hence the "Sir" title on his gravestone.

Shukat revealed Davis had been in the hospital for a mild case of pneumonia and the removal of a benign polyp on his vocal cords and was resting comfortably in preparation for his tours. On July 8, , Davis returned to performing material from his past at the Montreux Jazz Festival with a band and orchestra conducted by Quincy Jones. In early September , Davis checked into St. John's Hospital near his home in Santa Monica, California, for routine tests.

The suggestion provoked an outburst from Davis that led to an intracerebral hemorrhage followed by a coma. After several days on life support, his machine was turned off and he died on September 28, His death was attributed to the combined effects of a stroke, pneumonia, and respiratory failure. Peter's Lutheran Church on Lexington Avenue in New York City [] [] that was attended by around friends, family members, and musical acquaintances, with many fans standing in the rain. Late in his life, from the "electric period" onwards, Davis repeatedly explained his reasons for not wishing to perform his earlier works, such as Birth of the Cool or Kind of Blue.

In his view, remaining stylistically static was the wrong option. It's over What I used to play with Bill Evans, all those different modes, and substitute chords, we had the energy then and we liked it. But I have no feel for it anymore, it's more like warmed-over turkey. The rock and pop thing certainly draws a wider audience.

Miles Davis is considered one of the most innovative, influential, and respected figures in the history of music. The Guardian described him as "a pioneer of 20th-century music, leading many of the key developments in the world of jazz. Miles Davis was the most widely recognized jazz musician of his era, an outspoken social critic and an arbiter of style—in attitude and fashion—as well as music. William Ruhlmann of AllMusic wrote, "To examine his career is to examine the history of jazz from the mids to the early s, since he was in the thick of almost every important innovation and stylistic development in the music during that period It can even be argued that jazz stopped evolving when Davis wasn't there to push it forward.

Miles Davis's artistic interest was in the creation and manipulation of ritual space, in which gestures could be endowed with symbolic power sufficient to form a functional communicative, and hence musical, vocabulary. Miles' performance tradition emphasized orality and the transmission of information and artistic insight from individual to individual. His position in that tradition, and his personality, talents, and artistic interests, impelled him to pursue a uniquely individual solution to the problems and the experiential possibilities of improvised performance. His approach, owing largely to the African-American performance tradition that focused on individual expression, emphatic interaction, and creative response to shifting contents, had a profound impact on generations of jazz musicians.

Kind of Blue remains the best-selling jazz album of all time.

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On November 5, , U. Representative John Conyers of Michigan sponsored a measure in the United States House of Representatives to commemorate the album on its 50th anniversary. The measure also affirms jazz as a national treasure and "encourages the United States government to preserve and advance the art form of jazz music. It was donated to the school by Arthur "Buddy" Gist, who met Davis in and became a close friend. The female, 17, is said to have claimed she had no idea about the death of her boyfriend's mother until after the pair had already left Majorca. The new cast have been confirmed and host Caroline Flack has given fans a look inside the newly-revamped villa.

Do you know any of the Love Island cast? Contact webcelebs trinitymirror. By Louise Randell. Thank you for subscribing We have more newsletters Show me See our privacy notice. Read More Love Island Follow mirrorceleb.

Miles and Jo: Love Story in Blue Miles and Jo: Love Story in Blue
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